Here is what Jerry Seinfeld said in last Sunday's New York Times Magazine
about why he keeps practicing his stand up act:
"When he can’t tinker, he grows anxious. “If I don’t do a set in two weeks, I feel it,” he said. “I read an article a few years ago that said when you practice a sport a lot, you literally become a broadband: the nerve pathway in your brain contains a lot more information. As soon as you stop practicing, the pathway begins shrinking back down. Reading that changed my life. I used to wonder, Why am I doing these sets, getting on a stage? Don’t I know how to do this already? The answer is no. You must keep doing it. The broadband starts to narrow the moment you stop.”"
See Jerry Seinfeld Intends to Die Standing Up
. I like this part, too:
"Seinfeld believes funniness is genetic. When his father, Kalman, was stationed in the Pacific during World War II, he’d transcribe jokes he heard and store them in a box for safekeeping. “In the army, that’s kind of how you got through it,” Seinfeld says. “People would tell jokes by the score, because what else are you going to do to maintain sanity? The recognizing of jokes as precious material: that’s where it starts. If you’ve got the gene, a joke is an amazing thing. It’s something you save in a box in a war.”"
Everyone knows that Proust sas a neuroscientist because there is a book by that title. Click here to go to the Amazon link
. Here is their description:
"In this technology-driven age, it’s tempting to believe that science can solve every mystery. After all, science has cured countless diseases and even sent humans into space. But as Jonah Lehrer argues in this sparkling debut, science is not the only path to knowledge. In fact, when it comes to understanding the brain, art got there first.
Taking a group of artists — a painter, a poet, a chef, a composer, and a handful of novelists — Lehrer shows how each one discovered an essential truth about the mind that science is only now rediscovering. We learn, for example, how Proust first revealed the fallibility of memory; how George Eliot discovered the brain’s malleability; how the French chef Escoffier discovered umami (the fifth taste); how Cézanne worked out the subtleties of vision; and how Gertrude Stein exposed the deep structure of language — a full half-century before the work of Noam Chomsky and other linguists. It’s the ultimate tale of art trumping science.
More broadly, Lehrer shows that there’s a cost to reducing everything to atoms and acronyms and genes. Measurement is not the same as understanding, and art knows this better than science does. An ingenious blend of biography, criticism, and first-rate science writing, Proust Was a Neuroscientist urges science and art to listen more closely to each other, for willing minds can combine the best of both, to brilliant effect."
A New York Times
blog has more. See
Jerry Seinfeld, Comedy Athlete
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