See The New Fabio Is Claude: The romance industry, always at the vanguard of technological change, is rapidly adapting to A.I. Not everyone is on board. by Alexandra Alter of The New York Times.
I used a book called The Economics Of Macro Issues by Daniel Benjamin and Roger LeRoy Miller. It mentioned Luddites, people who destroyed industrial equipment in England in the early 1800s. They were weavers who lost their jobs to new machinery.
This is not exactly the same. But it is similar in the sense that there is a threat of violence due to new technology.
Excerpts from the article:
"A longtime romance novelist who has been published by Harlequin and Mills & Boon, Ms. Hart was always a fast writer. Working on her own, she released 10 to 12 books a year under five pen names, on top of ghostwriting. But with the help of A.I., Ms. [Coral] Hart can publish books at an astonishing rate. Last year, she produced more than 200 romance novels in a range of subgenres, from dark mafia romances to sweet teen stories, and self-published them on Amazon. None were huge blockbusters, but collectively, they sold around 50,000 copies, earning Ms. Hart six figures.
While we spoke over Zoom, an A.I. program she was running ingested her prompts and outline and produced a full novel, about a rancher who falls for a city girl running away from her past. It took about 45 minutes.
Ms. Hart has become an A.I. evangelist. Through her author-coaching business, Plot Prose, she’s taught more than 1,600 people how to produce a novel with artificial intelligence, she said. She’s rolling out her proprietary A.I. writing program, which can generate a book based on an outline in less than an hour, and costs between $80 and $250 a month.
But when it comes to her current pen names, Ms. Hart doesn’t disclose her use of A.I., because there’s still a strong stigma around the technology, she said. Coral Hart is one of her early, now retired pseudonyms, and it’s the name she uses to teach A.I.-assisted writing; she requested anonymity because she still uses her real name for some publishing and coaching projects. She fears that revealing her A.I. use would damage her business for that work."
"Whenever the publishing industry is rocked by a technological shift, it usually hits romance first. Romance writers are prolific and their readers are voracious, so they’ve been early adopters of e-book subscription services, self-publishing, social media networking and online serial releases.
Romance is also the publishing industry’s best-selling genre. It accounts for more than 20 percent of all adult fiction print sales"
"The genre may be especially vulnerable to disruption by A.I., for all the reasons that readers love it. Romance relies on familiar narrative formulas, like the guarantee of an “H.E.A.” or “happily ever after.” And romance novels are often built around popular plot tropes — like enemies-to-lovers or forced proximity — that can be fed into a chatbot."
"“It bogs down the publishing ecosystem that we all rely on to make a living,” said Marie Force, a best-selling romance novelist who doesn’t use A.I. and was disturbed to learn that more than 80 of her novels had been used to train Anthropic’s chatbot. “It makes it difficult for newer authors to be discovered, because the swamp is teaming with crap.”"
"The writer Elizabeth Ann West, one of Future Fiction’s founders, who came up with the plot of “Bridesmaids and Bourbon,” believes the audience would be bigger if the books weren’t labeled as A.I. The novels, which are available on Amazon, come with a disclaimer on their product page: “This story was produced using author‑directed AI tools.”
“If you hide that there’s A.I., it sells just fine,” she said.
Ms. West, who also teaches classes on how to write with A.I., has gotten blowback from opponents of the technology, including occasional death threats on social media. But she believes that in time, A.I. generated fiction will become widespread and popular.
“Eventually,” Ms. West said, “readers will not care.”"
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